Thursday 21 April 2016

Crime Sound Design

Since the first end of year film's main genre is Crime, I will look at various other crime films in order to get inspiration for the sound mixing aspect of the film.

Sicario

As I've already mentioned before, one of my biggest inspirations when looking at the sound aspect of the film. The 2 audio Oscar nominations for Best Original Score and Best Sound Editing inspire me even further to make this end of year film into an audio masterpiece. With 93% on Rotten Tomatoes and 81% on Metacritic, others too have praised the film and rightly so. 



In this scene the audio is absolutely phenomenal. There are so many layers of audio in this one scene that it is a testament to Alan Robert Murray and how he managed to keep everything so clean and without anything getting muddled in the mix. From the beginning the music is very tense, holding high notes as Alejandro (Benicio Del Toro) approaches the family at dinner. Even when the camera is a good bit away from the family eating, we can still hear fork scraping on plates and them eating. The background noise of the surrounding area gives us an idea as to where we are - in a massive house in the middle of nowhere. As Alejandro and Fausto begin to talk, the music fades and now we can just here the kids frighteningly tap their forks off the table in fear. Even though the actors are speaking very softly, we hear them loud and clear because of how it was captured and how it was mixed. The sudden loud gunshots make us jump and add even more tension to a tense situation.

Wednesday 6 April 2016

End of Year Film #1

Hey guys, sorry about the long-time-no-update, been very busy over the last month and a bit!

So I've got some good news - I will be the sound recordist on not one, not two, but THREE of my classmates' productions! Hopefully everything works out okay in the sense that nothing overlaps and I am conflicted between two of the productions.

So here is a treatment for the first film, with a working title of 'The Hitman'.



Final Year film – Treatment
Working Title
 The Hitman (Subject to change)

Length
 5-10 minutes

Synopsis
The Hitman for hire industry is a dark and shady one, the act of trading money for the life of another is something that you can only imagine that heartless monsters would do. However in “The Hitman” we see one of these so called monsters, one who has been in this underground industry for quite a while.
He has many reasons for doing so; he has been in the game for years for starters and he never really intended it to be a permanent career, and he’s getting tried of having to lie to his friends and family about what he does. However his main reason for wanting to quit is that he has messed up a job and now his employer wants to kill him.
However the focus will be on his relationship with his girlfriend, he is worried for her safety, he has made a lot of enemies over the years and while so far he has managed to keep himself safe; his girlfriend who knows nothing of what he does for a living would be a prime target for retaliation.
However getting out of the business is hard to do, especially when you’re already established as a Hitman. Even the very act of getting out could potentially put his girlfriend in danger too, he faces the dilemma of continuing to work in a dirty business or trying to get out and either option can have extremely dire consequences.
The story is a tragedy, and we plan to tug on the viewer’s heartstrings by having his efforts be for naught and his girlfriend dying at the end of the film despite his efforts to protect her and get out of the business.
The film will have a gritty neo-noir atheistic to it in both terms of storytelling tropes and the visual design of the film. Heavy use of shadows and coloured neon lights would set a strong visual style that would be sure to suck the viewer in.
Musically the films score will be reminiscing of 80s synthized music as that fits the neo-noir theme quiet well, however it will have more classical music for the more emotional moments, and because it’s a “timeless” type of music that plays homage to neo-noirs “Noir” roots.

Themes Addressed
The primary theme of the movie will be the fear of losing something precious to you, and one of tragedy. The Hitman and his Girlfriend live in totally different worlds, so highlighting the contrast between the two would be ideal. Showcasing how the Hitman essentially lives a double life would be great too, and how he tries to live with himself despite how abhorrent his job is.

Pre Production and Production Methods
For preproduction we’re going to get:
  • Script written for the story and for the actors to learn their lines
  • Storyboard  so the director (me) can decide on how things should be shot and composed
  • Shot list so we can check off what shots we need to film
  • Prop list for what props we’ll be needing
  • Costume list for what the actors should wear
  • Moodboard so we can help decide on our inspirations for the film, and for references on its style
  • Permission release forms for locations and for the actors
  • Shooting Schedule
  • Our production methods will be:
  • Arranging the locations to film
  • Telling the actors when and where they’re needed
  •  Shooting the scenes with the Shotlist and storyboard
  • Filming the footage onto an SD card
  • Lighting our locations appropriately
  • Editing the final film together in Premiere
Setting/Location
We’ll have lots of urban environments such as allyways, outside city environments and other gritty locations. Though we’ll also have cosy interior scenes at the hitmans home to showcase just how different his work life is compared to his private life. These sorts of locations will best serve the scenes with him and his girlfriend.

Intended Audience
The Intended audience of this film will be the adult market, basically it’ll be suitable for anyone over the age of 18 and it’ll be most enjoyed by those who enjoy thrillers.

Research
Genres to research:
  • Crime
  • Neo-noir
  • Action
  • Romance
Movies to research: 
  • pulp fiction
  • Seven
  • Heat
  • Goodfellas
  • Gone girl
  •  Fight club
  • No country for old men
  • Bourne movies
  • Eternal sunshine of a spotless mind
  • Casablanca
  • Chasing amy
  • Blue valantine
  • The Departed, Carlitios way

Budget

  • N/A


Equipment

  •  DSLR
  •  Shotgun Microphone
  •  Zoom recorder
  •  Portable lighting kit
  •  Clapperboard
  •  Tripod
  •  Dolly tracks

Crew
Stuart Ackerman – Cinematography/Script
Conor McCormick – Director/Editor
Caoímhín Cullen-O'Neill – Sound /Production